BUY TIX BUY TIX

META


We are META. Our body is not one thing. We are fluid, messy and protean. We are fragments creating loops with ourselves and others.

OCT 27 + 28

Scotiabank Dance Centre


doors, bar, pre-shows: 7pm

show: 8pm

post-show social: 9pm

BUY TIX*


*all proceeds go to the project + artists

creator, performer, producer

Deanna Peters/Mutable Subject

with…

performers

Kim Sato, Justine A. Chambers

inside eyes

Erika Mitsuhashi, Katie Lowen

costume + set

Natalie Purschwitz

lighting

James Proudfoot

music

DJ ICE-B

pre-shows by

Kelly McInnes + Rianne Svelnis, Layla Mrozowski

accompanying writer

Alexa Mardon

videographers

Aya Garcia, Lara Abadir

video editor

Deanna Peters

photographer

Yvonne Chew

graphic + web designers

Ahmed Khalil, Deanna Peters

bar manager + party helper

Katie Cassady

funded + supported by

British Columbia Arts Council, Iris Garland Emerging Choreographer Award, The Dance Centre

special thanks to Barbara Bourget, Vanessa Goodman, Ziyian Kwan, plastic orchid factory, Kristina Lemieux, Olivia C. Davies, Carolina Bergonzoni and Jamee Valin for their additional support + donations


Accompanying writer Alexa Mardon is creating a series of responses to META. Below is part one of three:

We are practicing our moves for the party in silence because we need to hear the different ways our limbs rush the air past.

I’m watching you. You close your eyes and I can’t see you anymore, I can only feel the thwup and shhunck of your forearm cutting the moment in half. We are practicing our moves for the party in silence because it is late and everyone else has gone to bed. We don’t need to talk about what we are doing, but if we did, we would whisper.

I bring the lamp down from the attic, the pleated one with the warm orange light. We are practicing our moves in a silence that’s full. It’s full of serious business and the number of times we’ve changed our outfits and the apple you brought me which is sitting half eaten near the radiator. Earlier this afternoon, you said something today about how it’s possible to make our bodies solid like packed dirt or porous like a colander. We were sitting in the soft room with all the windows open like no blinking. I imagined that there was no difference between inside/outside. I imagined that the weather moved through me.

soft
medium 
loud 
warm
hard
dirt 
slip 
same 
same 
same
				

Justine A. Chambers; photo Deanna Peters

Once I stayed outside in winter so long it took hours for the feeling to come back into my hands. I took a bath and the rest of me got warm, eventually, but my hands didn’t. I traced them over my body like a superstition. Like someone else’s hands but I couldn’t tell which parts I was just learning and what I had always known. Later, maybe a few weeks, I dreamt that my body was escaping from the confines of my skin and I had to use my new strong other hands to collect my bones, organs, tissues, back into myself. Packed up tightly. Same. Same. I woke up sweating and spent the rest of the day careful to keep a pocket of air between myself and myself, holding my shirt out from my torso like a tent, stepping into my pant legs like a horse onto a boat.

hand  
blink
blink
go 
ah
tight 
				

I have a photograph of all three of us from around that same time. We’re looking straight ahead. You’re standing behind me and your hand is slid up the back of my jacket, blooming out near my right ear. It could be anyone’s. We’re all wearing dark coloured pants and our six legs make a thick trunk against the bright white of the weather. Our own little island, foregrounded.

stay 
stay 
shift 
touch 
and
				

In the warm orange light, you repeat a move over and over again. It is like the sound of my favourite CD skipping and I don’t get up to change it because I know what comes next and the wait is painful and good like a toothache. We are almost ready. Everyone is waiting for us to bring the moves.


mutablesubject.ca

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