I’m thrilled to welcome our members to the 2023 UAAC-AAUC conference at The Banff Centre for Arts and Creativity, a place at which we have enthusiastically gathered several times over the last decade. That we have returned to the Banff Centre three times since 2013 is something to reflect on: for 90 years, the Banff Centre, established in 1933, has brought together artists, scholars, curators, and culture workers from around the world “to create, collaborate, share, envision, learn, and be inspired.” This mission, it could be said, offers a model and a backdrop through which to reflect on the goals of our annual conference: to create a space bridging ecologies of scholars, artists, students, and culture workers to collaborate, share, and learn together, and to advance the knowledges and experiences reflected within the increasingly broad, intricate, and multilayered framework of art: its makers, interlocutors, modes of circulation, urgencies, and provocations.
A deceptively simple premise, that institutions are people, potentially carries multiple meanings with regard to UAAC-AAUC: as a decentralized national organization without a physical footprint, we benefit from a nimbleness that affords us the ability to be responsive to the changing preoccupations, needs, aspirations, and urgencies of our membership; as a caution against the monolithic, crystallized forms that institutions can take, we have spent the year imagining and rearticulating who it is our organization has, and might, serve, and working to create a space where local, national, and international proponents of the arts from diverse backgrounds, experiences, and institutions, can come together. However, we recognize the work ahead of us in not allowing the sometimes-slow-moving nature of institutional structures to dictate the limits in pursuing our goals of greater accessibility with regard to who it is our organization can serve; UAAC-AAUC requires the immense power of individuals working together to innovate better structures and modes of gathering.
While enacting these labours may be collective, they are also supported by a foundation of “builders" whose vision is far-reaching and whose labour is patient and sustained: there is no builder quite like UAAC-AAUC’s Administrator, Paola Aron Badin, whose heavy-lifting toward executing this year’s conference, at the same time as supporting the health and longevity of our organization throughout the calendar year, is unparalleled. On behalf of UAAC-AAUC, I offer my sincere and utmost thanks to Paola. I thank also the incredible 2022-2023 UAAC-AAUC Board of Directors for their energy in supporting the conference and modelling the very best of what our collective efforts can bring to fruition: Keith Bresnahan, Alena Buis, Elizabeth Cavaliere, Samantha Chang, Ersy Contogouris, Anne Dymond, Mitchell Frank, Yani Kong, Karla McManus, Erin Morton, and Stephanie Springgay. I express my deep gratitude to outgoing Board members Samantha, Ersy and Anne, for committed and sustained service and for leaving indelible, invaluable marks on various elements of our organization.
Several institutions have offered support in making this year’s conference possible; we thank Kameko Higa, our Banff Centre on site coordinator—for the second time—, and we thank in particular the following departments and institutions for recognizing the value of the annual conference to cultivating our art and scholarly ecologies in Canada: Art Canada Institute, the School of the Arts at McMaster University, OCAD University, the Department of Art History, Visual Art & Theory at the University of British Columbia, and the Department of Visual Arts at Western University.
Planning is already underway for our 2024 conference, which will take place at Western University in London, Ontario, and as our year culminates with this exciting meeting in Banff, we are already looking forward to continuing the conversation in London next year.
To continuing to build, take apart, and build again, and with deep excitement to learn from and with you all at the 2023 conference,